There can be something rather pleasant in being tricked. It is why quite a few of us enjoy surprises, or sleight of hand. It is also why we adore optical illusions. Kiev-based designer Dmitry Kozinenko pulls off an stylish little bit of visible trickery with his “Field” shelf, a series of thin metal tubes that, when witnessed from head-on, make objects seem to float. Seen from the facet, those tubes are evidently angled and bent to lend the structure stability and develop its subtle cabinets. Kozinenko states the six-foot-tall piece—which is nevertheless just a strategy, regardless of interest from what he states are two “serious” furnishings producers—would occur in black or gradient variations.
Dmitry Kozinenko
Kozinenko, thirty, who was born in Crimea, explores warped visible outcomes in a great deal of his work—a imaginative direction he states stems from his interest in astronomy and science. He at the moment operates for Kiev-based architecture agency Soesthetic Group, but he’s a graphic designer by coaching, which he states also informs his furniture’s aesthetic. His “Sunny” series generates faux shadows by extending hatch strains forty five levels from extruded metal tables and cabinets his “Coin” tables seem to be tipping around, while their surfaces are, in point, level. A few pieces, with names like “Renaissance,” “Asteroid,” and “Ink,” are for sale, but most are nevertheless prototypes. Prototype or no, there is no denying the eye-catching nature of Kozinenko’s get the job done. And in contrast to most illusions, knowing the secrets and techniques behind his patterns does not rob them of their charm—and that could possibly be his finest trick of all. Go Again to Prime. Skip To: Start of Article.
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There can be something rather pleasant in being tricked. It is why quite a few of us enjoy surprises, or sleight of hand. It is also why we adore optical illusions. Kiev-based designer Dmitry Kozinenko pulls off an stylish little bit of visible trickery with his “Field” shelf, a series of thin metal tubes that, when witnessed from head-on, make objects seem to float.
Seen from the facet, those tubes are evidently angled and bent to lend the structure stability and develop its subtle cabinets. Kozinenko states the six-foot-tall piece—which is nevertheless just a strategy, regardless of interest from what he states are two “serious” furnishings producers—would occur in black or gradient variations.
Kozinenko, thirty, who was born in Crimea, explores warped visible outcomes in a great deal of his work—a imaginative direction he states stems from his interest in astronomy and science. He at the moment operates for Kiev-based architecture agency Soesthetic Group, but he’s a graphic designer by coaching, which he states also informs his furniture’s aesthetic.
His “Sunny” series generates faux shadows by extending hatch strains forty five levels from extruded metal tables and cabinets his “Coin” tables seem to be tipping around, while their surfaces are, in point, level. A few pieces, with names like “Renaissance,” “Asteroid,” and “Ink,” are for sale, but most are nevertheless prototypes.
Prototype or no, there is no denying the eye-catching nature of Kozinenko’s get the job done. And in contrast to most illusions, knowing the secrets and techniques behind his patterns does not rob them of their charm—and that could possibly be his finest trick of all.
Go Again to Prime. Skip To: Start of Article.